Andrew Bird Noble Beast Free

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Released in 2007, Armchair Apocrypha proved that hyper-literate singer/songwriter, genre-bending violin player, and peerless whistler Andrew Bird had found the perfect middle ground between his increasingly austere solo sets and the full-band grandeur of his days with the Bowl of Fire, a strategy he repeats with similar results on Noble Beast, his fifth full-length solo offering and second collection for the Mississippi-based Fat Possum label. Bird, a classically trained violinist since the age of four, has skillfully integrated nearly everything with strings on it into his repertoire since his conversion from the Weill and Brecht-heavy days of Music of Hair, Thrills, and Oh! The Grandeur to the semi-mainstream indie pop of The Swimming Hour, but it's his seemingly limitless capacity for manipulation of the violin that dominates Noble Beast. Opening cut 'Oh No,' a track that Bird began releasing sketches of months before the album's street date, may be his most successful foray into the murky world of the potentially commercial pop song yet, boasting a chorus that points directly at the Shins while maintaining the artistic integrity of the loop-happy, meticulous craftsman who fans have been watching evolve since 2003's Weather Systems. What follows is a typically eclectic batch of material that reflect Bird's own musical time line. Tracks like 'Masterswarm' and 'Not a Robot, But a Ghost' are proof positive that he hasn't completely abandoned his swing jazz roots, 'Fitz and the Dizzyspells' could very well provide audiences with their first opportunity to 'bust a move' at a show, while 'Nomenclature's easy country-folk front half dissolves into a rear end that wouldn't seem out of place on a late-'90s Radiohead album. Throughout it all Bird rhymes -- sometimes to a fault -- like a history or biology professor ('From proto-Sanskrit Minoans to porto-centric Lisboans'), rendering many of the songs clever as opposed to emotionally resonant, but whatever romance he lacks in the textual medium he more than makes up for in melody. [The deluxe version of the album includes an impressive bonus disc of instrumental works, cleverly titled Useless Creatures, which features collaborations with Wilco drummer Glenn Kotche and jazz bassist Todd Sickafoose.]

  1. Andrew Bird Noble Beast Playlist
  2. Andrew Bird Noble Beast Torrent
Title/ComposerPerformerTimeStream
1 4:20 SpotifyAmazon
2 6:35 SpotifyAmazon
3 3:36 SpotifyAmazon
4 5:06 SpotifyAmazon
5 3:51 SpotifyAmazon
6 2:54 SpotifyAmazon
7 0:20 SpotifyAmazon
8
Andrew Bird / Martin Dosh
5:37 SpotifyAmazon
9 0:57 SpotifyAmazon
10 4:47 SpotifyAmazon
11 4:18 SpotifyAmazon
12 3:24 SpotifyAmazon
13 7:18 SpotifyAmazon
14 1:08 Amazon
blue highlight denotes track pickAndrew Bird Noble Beast Free

Andrew Bird Noble Beast Playlist

Listen to Noble Beastby Andrew Bird on Slacker Radio, where you can also create personalized internet radio stations based on your favorite albums, artists and songs. Noble Beast shows Bird's unique style continues to evolve. This is his best album to date, rivaling his outstanding album 'Andrew Bird & the Mysterious Production of Eggs' from 2005. Tracks 'Oh No' and 'Fitz and the Dizzyspells' are my favorites.

Andrew Bird Noble Beast Torrent

Overview

Released in 2007, Armchair Apocrypha proved that hyper-literate singer/songwriter, genre-bending violin player, and peerless whistler Andrew Bird had found the perfect middle ground between his increasingly austere solo sets and the full-band grandeur of his days with the Bowl of Fire, a strategy he repeats with similar results on Noble Beast, his fifth full-length solo offering and second collection for the Mississippi-based Fat Possum label. Bird, a classically trained violinist since the age of four, has skillfully integrated nearly everything with strings on it into his repertoire since his conversion from the Weill and Brecht-heavy days of Music of Hair, Thrills, and Oh! The Grandeur to the semi-mainstream indie pop of The Swimming Hour, but it's his seemingly limitless capacity for manipulation of the violin that dominates Noble Beast. Opening cut 'Oh No,' a track that Bird began releasing sketches of months before the album's street date, may be his most successful foray into the murky world of the potentially commercial pop song yet, boasting a chorus that points directly at the Shins while maintaining the artistic integrity of the loop-happy, meticulous craftsman who fans have been watching evolve since 2003's Weather Systems. What follows is a typically eclectic batch of material that reflect Bird's own musical time line. Tracks like 'Masterswarm' and 'Not a Robot, But a Ghost' are proof positive that he hasn't completely abandoned his swing jazz roots, 'Fitz and the Dizzyspells' could very well provide audiences with their first opportunity to 'bust a move' at a show, while 'Nomenclature's easy country-folk front half dissolves into a rear end that wouldn't seem out of place on a late-'90s Radiohead album. Throughout it all Bird rhymes -- sometimes to a fault -- like a history or biology professor ('From proto-Sanskrit Minoans to porto-centric Lisboans'), rendering many of the songs clever as opposed to emotionally resonant, but whatever romance he lacks in the textual medium he more than makes up for in melody. [The deluxe version of the album includes an impressive bonus disc of instrumental works, cleverly titled Useless Creatures, which features collaborations with Wilco drummer Glenn Kotche and jazz bassist Todd Sickafoose.]